We created a investigation board as a prop as we needed it in our final scene which brings the drama to a climax. To make it look authentic, we took images (using screenshots) from our film, article, post-it, envelopes and photos. In the end, we all agreed that we should use a red string to bring the board together, as the use of red string is a traditional feature used on professional police investigation pin boards and seen in in police procedural dramas.
Wednesday, 4 March 2020
PLANNING: SHOT LIST
Scene
|
Music and Sound fx
|
Vision
|
Actors
|
Props
|
Shot types
|
1
|
Clock tick and gradual build up of music
|
Jack walking towards house, through eye piece
|
Max Green
|
Fish eye lens
|
Long shot through fish eye lens
|
2
|
Clock tick and gradual build up of music
|
Jack walking through the door after coming home and throwing keys
|
Max Green
|
Keys
|
Long shot
|
3
|
Clock tick and gradual build up of music
|
Jack seeing first letter on the floor beneath him
|
Max Green
|
First letter
|
Long shot
|
4
|
Clock tick and gradual build up of music
|
Jack crouching down to pick up first letter
|
Max Green
|
First letter
|
Low angle shots
|
5
|
Clock tick and gradual build up of music and voice-over discussing how he has been receiving letters
|
We see the letter from Jack’s POV as he opens it
|
Max Green
|
First letter
|
Point of view shots
|
6
|
Clock tick and gradual build up of music and sound of radio discussing death of victim seen in first letter
|
Jack sitting having breakfast with the radio beside him
|
Max Green
|
Radio
|
Mid shot of him having breakfast
|
7
|
Clock tick and gradual build up of music and sound of letter box being opened by Jack
|
Jack opening letterbox to find second letter
|
Max Green
|
Second letter
|
Close up shots
|
8
|
Clock tick and gradual build up of music and sound of voice-over of Jack discussing what the letter contains
|
Jack opening second letter
|
Max Green
|
Second letter
|
Point of view shots
|
9
|
Clock tick and gradual build up of music
|
Jack viewing newspaper article discussing death of second victim
|
Max Green
|
Newspaper article
|
Point of view shots
|
10
|
Clock tick and gradual build up of music and the detectives discussing his link with the previous murders
|
Jack and the two detectives (Stephen Green) and (James Spalding)
|
Max Green, the Detectives
|
N/A
|
Mid shot
Three shot
|
11
|
Clock tick and gradual build up of music
|
Jack finding third and final letter which contains his own photo and name
|
Max Green
|
Third and final letter
|
Close up shots
POV shots Reaction shots |
12
|
Clock tick and gradual build up of music to climatic ending and voice-over of Jack stating he is next to the detectives.
|
Various shots of the pin board containing information from the previous victims and Jack pinning the final image onto the board (being his own photograph)
|
Max Green
|
Pin board containing newspaper articles, letters and images of previous victims and himself
|
Elongated tracking shot over pin board, and various close up shots panning over board
Tracking shot of Jack Masters' hand pinning final image onto board |
Sunday, 9 February 2020
PLANNING: HOT SEATING
Hot seating is a strategy in which a character is interviewed by someone in the production group. This activity makes people understand the background, the character more in detail. We decided to have a hot seating with one of our character, Jack Masters.
We have planned that he is going to be interview by a police, making it more interesting and at the same time, emphasizing that this is a thriller genre.
We have planned that he is going to be interview by a police, making it more interesting and at the same time, emphasizing that this is a thriller genre.
PLANNING: RISK ASSESSMENT
We identified the key hazards and risk factors which acquire the potential to cause harm during the production of the film opening, III Days. The risk assessment highlights the hazards/risks posed to each scene, in which we provide precautions to avoid the possibility of implications occurring.
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